Origin of the Republican Elephant




This symbol of the party was born in the imagination of cartoonist
Thomas Nast and first appeared in Harper's Weekly on November 7th,
1874.   An 1860 issue of Railsplitter and an 1872 cartoon in Harper's
Weekly connected elephants with Republicans, but it was Nast who
provided the party with it's symbol.

Oddly, two unconnected events led to the birth of the Republican
Elephant. James Gordon Bennett's New York Herald raised the cry
of "Caesarism" in connection with the possibility of a third term
try from President Ulysses S. Grant.  The issue was taken up
by the Democratic politicians in 1874, halfway thru Grant's second
term and just before the mid-term elections, and helped disaffect
Republican voters.

While the illustrated journals were depicting Grant as wearing a crown,
the Herald involved itself in another circulation-builder in an entirely
different, non-political area.  This was the Central Park Menagerie
Scare of 1874, a delightful hoax perpetrated by the Herald.  They ran
a story, totally untrue, that the animals in the zoo had broken loose and
were roaming the wilds of New York's Central Park in search of prey.

Cartoonist Thomas Nast took the two examples of the Herald
enterprise and put them together in a cartoon for Harper's Weekly.
He showed an ass (symbolizing the Herald) wearing a lion's skin
(the scary prospect of Caesarism) frightening away the animals in
the forest (Central Park).   The caption quoted a familiar fable:
"An ass having put on a lion's skin, roamed about in the forest and
amused himself by frightening all the foolish animals he met within
his wanderings".   One of the foolish animals in the cartoon was an
elephant, representing the Republican vote, not the party, the
Republican vote - which was being frightened away from it's normal
ties by the phony scare of Caesarism.   In a subsequent cartoon on
November 21st, 1874 after the election in which the Republicans did
badly, Nast followed up the idea by showing the elephant in a trap,
illustrating the way the Republican vote had been decoyed from it's
normal allegiance.

Other cartoonists picked up the symbol, and the elephant soon ceased
to be the vote and became the party itself: the jackass, now referred
to as the donkey, made a natural transition from representing the
Herald to representing the Democratic party that had frightened the
elephant.